queerdelys @Filmaster

Tak to jest w tym Hollywood. Nie wyszło im za pierwszym razem, więc postanowili nakręcić sequel. Film, o którym wszyscy wiedzą, a nikt oglądać nie chce. Wiele jest takich, ale niewiele w świecie hmmm…horroru?

Oscarowe Łot De Fak

Dziękuję za wszystkie komentarze :) @Esme, @doctorpueblo <3 A teraz do rzeczy: Leonardo DiCaprio chyba udawadnia dosłownie co roku, że oscar mu się należy. I już nie chodzi o to, czy młody czy nie, ale jak Jamie Foxx ma oscara, to Leonardo DiCaprio oscara mieć musi. A co do Grawitacji- jaka pustka? To znaczy tak, pustka jest, ale jest wynikiem braku satysfakcji z tego projektu. Cliche za clichą clichę pogania. No po prostu najbardziej przewidywalny, jednowymiarowy i nudny film roku. A trailer naprawdę

Oscarowe Łot De Fak

Nie wiem, kiedy ostatnio pisałam do Filmastera, no po prostu nie wiem. Ale wiem za to, że od czasu iks próbuję się za to pisanie zabrać, ale jak to mówią: jak nie urok, to sraczka, i nagle minęło kilka

Chloë Grace Moretz

We Bought a Zoo (2011)

Kupiliśmy Zoo (2011)

I’ve been thinking for a while about the strong enough sentence to open this review. Finally I have one. AVOID THIS MOVIE IF YOU HAVE EVER SEEN ANY FILM BEFORE. Otherwise, find something entertaining to

The Empire Strikes Back (1980)

i 64 inne filmy

Anonimus (2011)

My London Film Festival ended up with non festival related press screening of Anonymous by Roland Emmerich. First of all- WHAT? Why would any organiser of any respectable festival decided to screen this

Jeden dzień z życia: Borys Musielak (2011)

prawie jak The Room- absolutny klasyk

Carnage (2011)

Carnage (queerdelys)

I know, I'm thinking the same. It's nice, but it's just so forgettable

Rzeź (2011)

From trendsetter of filmmaking Polanski has turned into movie making machine. His technically perfect films are deprived of humanity and small imperfections which make a film interesting, unique and innovative.

We Need to Talk About Kevin (2011)

Musimy porozmawiać o Kevinie (2011)

With her almost lizardy face, almond shaped eyes, doll like paleness and boyish expressions, Tilda Swinton is simply hypnotising type of beauty. And so is her performance in the almost perfect adaptation

Restive (2011)

Restive is a haunting tale of female revenge, the story we heard many times and have seen from many different angles already. Jeremiah Jones has yet to create his unique filmmaking style, he still is more inspired by others than inspiring to others. Although low budget it contains many beautiful images and accompanied by almost piercing music, it would definitely satisfy those who have their taste in David Lynch's films. Unlike in David Lynch's films, all the seemingly symbolic images are revealed in the end, however, the secret revealed does not disappoint the audience. There is hope in Jeremiah Jones and a potential, however, both are still too fragile to judge what he is about to grow up into. Definitely beware!

Restive (2011)

Apollo - West End, środa, 5 października, 09:15

Przyszłość (2011)

This is one of these films where being memorable is not necessarily a compliment for the creators. Unfortunately I still remember The Future well enough to write a review on it, but I secretly hope that